works

4 pieces for percussion solo (2024)

dedicated to D.Rexroth, commissioned by Hamburg Philharmonic Orchestra, performed at Silvesterkonzert at Elbphilharmonie, under direction of Kent Nagano

Angelo Della Luce (Ангел Света) (2023)

for violoncello and large orchestra, commissioned by Vivacello Festival. Premiered at Moscow Philharmonie by Boris Andrianov and Tchaikowsky Symphony Orchestra, under direction of Denis Lotoev

Strahlen des Feuers (2023)

Concerto for accordion, organ and large orchestra, commissioned by the Gewandhaus Leipzig, premiered by Geir Draugsvoll and Michael Schönheit under direction of Omer M Wellber

Labyrinthe du Temps (2023)

for violin, accordion and orchestra, commissioned by Deutsche-Kammerphilharmonie Bremen for concert tour with Hilary Hahn and Omer Meir Wellber at European Music Festivals

Heat Efficiency (2023)

for large orchestra, commissioned by Tonhalle Düsseldorf, premiered by Düsseldorfer Symphoniker at Tonhalle

Chaconne (2023-24)

for mandolin and large orchestra based on Bach’s Chaconne, commissioned by Radio France, premiered by Toscanini Philharmonia at Auditorium Paganini, Parma and Lˋ Auditorium Radio France, Paris under direction of  Omer Meir Wellber

Angelo di Fuoco (Огненный Ангел) (2023)

for large orchestra, commissioned as part of Composer in Residence  with La Toscanini Philharmonia, premiered at Auditorium Paganini with conductor Keri-Lynn Wilson

Lights of Tashkent (Огни Ташкента) (2022)

for 3 cellos , commissioned for the opening of the XIVth Tashkent International Film Festival

Echos von Liebe nach Schubertś Winterreise (2021) 

for violin, violoncello, piano, commissioned by Arte Musica Poetica for Henschel Klavier Trio, performed at Andechs Music Festival

Marionettes (2020)

for cembalo and orchestra (or string orchestra), BBC Proms 2020 commission,  Omer M Wellber, BBC Philharmonic

For Stradivari (2020)

for violin and violoncello , commission by Classic Duo for CD release, premiered at Kühlhaus Berlin

STRADIVARI (2020)

Concerto for Violin and Orchestra , commissioned by the violinist Rebekka Hartmann for CD release with conductor Kent Nagano, dedicated to Dieter Rexroth

Fedra (2020)

based on texts by M.Tsvetaeva in Russian, for soprano, flute, piano, harp, viola, commissioned by Aleida Ensemble (Denmark)

Rigo and Rosa (2020)

music fairytale for fl, cl, piano, celesta, violin, cello based on German book by Pauli and Schärer, commissioned by Ensemble Quillo, premiered at Falkenhagen

The Energy of Survival (2020)

piano solo for performance video  by Natalia Mali, commissioned by the artist

Colours of Pomegranate / Цвета граната (2020)

for piano and orchestra, Young Euro Classic Festival commission, Berlin Konzerthaus

Silenzio (2020)

for vibraphone solo, premiered at Atonale Festival, Berlin

Zeitgeist (2020)

for violoncello and piano, commission by Ignacy Grzelazka for CD release Brahms-Sadikova

Der Ring des Nibelungen (2019)

opera-music theatre for western-chinese instruments and singers (text in German), co-production China-Germany , premiered at Radialsystem Berlin and Elbphilharmonie Hamburg

Widmung an den Dichter Nikolay Gumilyov  (2019)

for chamber ensemble, commissioned by Ensemble Mini Berlin, conducted by Joolz Gale at Musikbrauerei Berlin and Mozarteum Salzburg

Eine Figur (2019)

for chamber ensemble based on Bauhaus artist Oskar Schlemmer´s painting. Commission by Junge-Deutsche Philharmonie, for concerts in Frankfurt, Hanau and  “ Bauhaus” CD release

Exiled (2019)

soundtrack for the documentary, UK-USA production

Nagoracha for cello solo (2019)

commissioned by Konstantin Manaev, premiered in BKA theatre Berlin

Mirroring Contrapunctus for orchestra (2019)

commission by BACHFEST Leipzig, conducted by Omer Meir Wellber with
Deutsche Kammerphilharmonie Bremen at Thomaskirche, also for concert tour with Hilary Hahn at Schleswig-Holstein Festival, San Sebastian Festival, Festspiele Mecklenburg-Vorpommern

Lichtscherben concerto for percussion and orchestra (2018)

commission by Simone Rubino, performed by SWR orchestra at Beethovensaal Stuttgart

Mopitu (2018)

fairytale  for narrator (text in German), vibraphone and double bass or for narrator, celesta/piano and cello. Commission by Ensemble Quillo, performed at Falkenhagen Uckermark

Magnificat (2017)

for boys and men choir and organ, text in English

Concerto for Violoncello and Orchestra (2016)

commission by Heidelberger Philharmonie, performed at Stadthalle Heidelberg, conductor Elias Grandy, J Steckel cello

Piano Album with set of pieces (2016)

performed at Beethoven Fest, Bonn in Schumann Haus

Untitled (2016)

for voices (vocalise) and chamber orchestra, commission by Ensemble Unitedberlin. Performed at Berlin Konzerthaus, conducted by Jonathan Stokhammer

Silberklang (2016)

for soprano and chamber ensemble, based on Dadaist absurdist poetry, text in German/English. Commission by Hamburg Philharmonie with Kent Nagano, performed at Laeiszhalle Hamburg

Sonata for Giuseppe Tartini (2016)

for baroque violin, accordion and bass clarinet. Commission by Klariac Duo, premiered at Matthaus Kirche, Berlin

Fantasie (2016)

for piano solo. Commission by Universität der Kunst, Berlin for Mendelssohn Wettbewerb

Cadenzas for Piazzolla’s Four Seasons (2016)

for violin and string orchestra, commission by Yuri Revich and Berliner Camerata, performed at Kammermusiksaal Berliner Philharmonie

Die Sterntaler Kinderoper (2016)

for soprano, flute, piano, celesta, contrabass, percussion. Text in German,Commission by Ensemble Quillo, premiered at Falkenhagen

Alles über Sally (2015)

chamber opera on Roman by Arno Geiger for actor, soprano, ensemble, libretto Jens Schroth. Text in German. Commission by Ensemble Quillo

Jan.1925, D.Kharms’ Diary Note, Sankt-Petersburg (2015)

for accordion, 2 pianists, 2 percussionists . Commission by ReMusic Festival, Sankt-Petersburg, premiered by S.Tchirkov and Ensemble Batilda (Switzerland) in Sankt-Petersburg

Die Sterntaler (2014)

music fairy-tale for reader, alto flute, contrabass, percussion, piano. Commissioned by Ensemble Quillo, text in German

Brief Scherben (2014)

for chamber orchestra after D.Kharms Diary. Commission by Junge-Deutsche Philharmonie and performed at Konzerthaus Berlin, Vymbai Kaziboni conductor

5 Cello Cadenzas for 3 CPE Bach Concertos (2014)

for cello solo and chamber orchestra. Commission by Berliner Camerata and for ‚BACH‘ CD release with Konstantin Manaev

The Transit Passenger (2014)

music for theater play, text D.Issabekov. Premiered  at Lion and Unicorn Theater, London

Komisches Lamento (2014)

 for soprano, trombone, cello, percussion, piano. Commission from Ensemble Eunoia, Basel and performed at Gard du Nord, Basel, text by Tucholsky  eineFrau denkt  in German

Stimme im Schatten (2013)

for chamber ensemble. Commission from Zafraan Ensemble and performed at Uferstudios, Berlin

Schatten von Guli (2013)

 for percussion trio with video, after Uzbek fairy tale. Commission by Kasseler Musiktage

Splitter (2013)

for contrabass, bass clarinet, accordion. Performed at Randspiele Festival, Berlin

Versprochen (2013)

Kinderopera for children choir (text in German) , string quartet, percussion, trumpet, contrabass on libretto by Ruth J Benrath. Performed in Potsdam

Deconstructive Emotions (2013)

for recorder quartet  after novel by A.Geiger. Performed at Klangwerkstatt Neue Musik  Festival, Berlin

SPLITTER|STIMME|FRAGMENT (2013)

for subbass Paetzold /Ganassi alto recorder and  guitar, performed at Galerie Neukölln, Berlin

Voices from Ravensbrück (2013)

for 3 sopranos, string quartet, percussion. Commission from Kulturfeste Brandenburg

Sept., 1925. Kharms‘ Diary Note (2012)

for oboe, clarinet, horn. Performed at Randspiele Festival, Berlin

Осколки Письма / Shards of a Letter (2012)

after F.Kafka
for string quartet, performed by Orfeas String Quartet, London

Ein Brief, 1921, Prag (2012)

after F.Kafka
for 4-hands piano duet, video, performed at BKA New Music concerts in Berlin

Der Gebrochene Schatten (2011)

for string quartet, commissioned by Sonar Quartet, performed at Randspiele Festival, Berlin

Kamni (2010)

for string quartet and tape. Performed by Orfeas String Quartet, at May Festival Nottinghill, London

Untitled (2010)

for violoncello and tape, premiered in London

Fraza (2007)

for chamber ensemble, premiered by Kwartludium Ensemble

Variation (2011)

for violin, viola, v-cello, piano. Commissioned by Britten Sinfonia, performed at Queen Elisabeth Hall, London

Peshrav (2006)

for three violoncellos. Performed at Late at Tate Festival in London

Praeludium – Bach recomposed (2003)

for piano, premiered by Charles Matthews in France

Entfernung (2003)

for viola solo dedicated to Kinga Maria Roesler, premiered at Gedenkstätte Ravensbrück

Gazeli (2002)

for 2 sopranos, 2 percussion, bassoon, v-cello on Sufi poetry of Omar Khayyam in Russian

La Baroque (2010)

violin, commissioned by Thomas Gould for  CD `Bach to Parker` , premiered in London

Barrock for harpsichord (2003)

harpsichord, commissioned by Uwe Wittwer for Museum video installation, premiered at Solothurn, Switzerland

 

Кувшин / Clay-pot (2005)

mezzo or baritone, viola, harp, piano on Sufi text by Omar Khayyam in Russian. Performed at Trinity College Concert, London

Ланиты/ Roses (2005)

for narrator and chamber ensemble on Sufi text by Omar Khayyam in Russian. Performed in Brandenburg

Подыми пиалу… /Lift up the cup… (2003)

for mezzo or baritone, viola, harp, piano on Sufi text by Omar Khayyam in Russian. Performed at Purcell School Composition concert, London

Zukhdiyat (1998)

for mezzo or baritone and ensemble, on Sufi text by Omar Khayyam in Russian. Performed at Ilkhom XXII Contemporary Music Festival, Tashkent

Reflection (1996)

for soprano and chamber ensemble, on Sufi text by Hafiz in Russian. Performed at Ilkhom XX Contemporary Music Festival, Tashkent